Introduction to Aromantic Spectrum Awareness Week Series
Welcome to GayYA’s Aromantic Spectrum Awareness Week series!
In honor of Aromantic Spectrum Awareness Week, we’re featuring posts from aromantic and aro-spec contributors on various issues surrounding aromantic representation in YA. We have an AWESOME line up of contributors and posts, and we’re so excited to share them with you all!
The Awareness Week series are something we’ve started doing for all of the LGBTQIA+ Awareness Weeks throughout the year. Though we hope to include everyone on our site at all times, we’ve found that dedicating a specific and concentrated space to a community to talk about the different ways their identity relates to YA can produce phenomenal results.
During this year’s AAW series, we’ve got topics ranging from why aromantic representation is important, to personal accounts of what it’s like to be an aromantic teenager, to how to approach writing aromantic characters, and more!
So now, let the series begin!
Cover Reveal: Screaming Down Splitsville by Kayla Bashe
Today we are thrilled to host the cover reveal of the upcoming F/F YA Screaming Down Splitsville by Kayla Bashe!
Screaming Down Splitsville takes place in an alternate 1950s where two groups of people with magical powers fight for dominance. Flip, a young lesbian, thinks her healing powers are completely useless. After her escape from a lab, she’s been grounded to a safe base, and while everyone else is on important missions, she keeps the fridge stocked and fixes the plumbing. However, when a chance coincidence sends her on a solo rescue mission, Flip has a surprising reunion with a woman from her past.
Unable to speak after a botched cleft palate surgery, Emma-Rose grew up half-wild in the Southern backwoods- until strangers discovered her magical powers and imprisoned her in a laboratory of torture. Her one salvation was the woman in the next cell, Flip. Now Flip’s returned, and according to her, they’ll both make it to safety. But Emma’s plans have failed so many times that she has no hope left to lose.
As the two women seek to evade their pursuers, their friendship rekindles, and they are forced to confront both enemies and insecurities.
Doesn’t that sound just fabulous? I know I’m looking forward to picking up this book. 🙂 So without further ado, here is the gorgeous cover!
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Eee! A fabulous cover to go with a fabulous story? What’s not to love?? Make sure to pick up this book from Torquere Press, February 24th!
More about the author: Kayla Bashe is a theater student from the East Coast. Her work has appeared in Vitality Magazine and Solarpunk Press Issue 1, as well as The Future Fire, Liminality Magazine, and the Outliers of Speculative Fiction anthology. She tweets about speculative fiction at @KaylaBashe.
Cover Reveal: THE OLIVE CONSPIRACY by Shira Glassman
We’re fans of Shira Glassman’s books here at The Gay YA, and even bigger fans of the work she does promoting diverse LGBTQIA+ lit and her passion for representation. Today, we’re revealing the cover for The Olive Conspiracy, the fourth book in the Mangoverse series!
Here’s some info from Shira about the book:
The Olive Conspiracy is due out on July 20, 2016 from Prizm Books. It’s part of the Mangoverse series but you don’t have to read any of the other books first because I try my best to write my books as standalone adventures about the same family-of-choice. It’s f/f fantasy with Jewish leads, a cool dragon spy, and Yet Another Bisexual Chef (all the bi characters in this series wind up being chefs.)
The goodreads link so you can add it if you want: https://www.goodreads.com/book/show/26086052-the-olive-conspiracy
Blurb:
When Ezra tries to blackmail Chef Yael about being trans, she throws him out of her restaurant and immediately reports him to the queen. But when police find Ezra stabbed to death, Queen Shulamit realizes he may have also tried to extort someone more dangerous than a feisty old lady.
Shulamit’s royal investigation leads her to an international terrorist plot to destroy her country’s economy–and worse, her first love, Crown Princess Carolina of Imbrio, may be involved. This is a love story between wives, between queen and country, and between farmers and the crops they grow.
Both the eBook and paperback will also come with some bonus shorts.
A little information about the imagery on the cover: the “lemon” is actually another citrus called etrog, and the bouquet of plants is a lulav; they’re associated with the Jewish agricultural holiday Sukkot, where the book’s action starts.
We’re super excited about this book and for Shira, so without further ado, the cover!
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Isn’t it gorgeous?! We absolutely love it and we’re honored we could help Shira with her cover reveal!
Shira’s bio and Twitter are below if you want to congratulate her on a gorgeous cover!
Shira Glassman is a bisexual Jewish violinist living in Florida with an agender superhero and a badly-behaved cat. Her book Climbing the Date Palm was a double finalist in the 2015 Bisexual Book Awards. You can find her on Twitter @ShiraGlassman
Clearing Trans Paths in Middle Grade Fiction
Now that my debut middle grade novel, George, has been released into the world (fly, baby, fly!!) I’ve been witnessing and engaging in conversations about “who this book is for”. In other words, “is this age-appropriate?”
Now let me be clear. There is no age at which it is inappropriate to appreciate people for who they are. And there is no age before we know ourselves. We may not have fully formed those notions, but each of us is the only person we know inside and out, and each of our challenges includes finding, respecting, and celebrating that self.
I am excited and delighted by the wave of queer literature that is finally appearing in YA: happy stories, sad stories, complicated stories, people who are fine with their queerness, people for whom their queerness plays little role in the troubles in their lives. There’s even a supertastic blog (Hi gayya.org!) and other growing resources for teens. I’m also grateful for the growing collection of picture books that let kids explore many ways of being.
In between lies middle grade. Not middle school, which is practically YA territory, but middle grade, which typically spans fourth through sixth grade. 9 through 12 year olds. A key age in learning about the separation between self and other. Where do my parents’ values end and mine begin? How am I like my friends, and how can I bear to be different from them? What am I doing because I like it and what am I doing because people have always expected me to?
And right in that pocket of intellectual development, the field of literature is nearly barren. Sure, you can counter with “what about X book”, and why yes, I am so happy it exists! And I remind you that one book, or even three or four, aren’t enough. We need more.
So not only is LGBTQIA literature appropriate at any age. It is, in fact, critical for people of all ages to see a range of potentials to help them steer themselves in their own direction. Babies of queer parents should get to see families like theirs in board books. Sparkleboy toddlers deserve picture books about kids like them. And nonbinary elementary school students seeing themselves in middle grade novels would know acceptance much earlier than so many of us reading this did.
You do not have a choice in who children are, yours or anyone else’s. But the adults in a child’s life have a big choice in whether to provide tools to support kids in exploring and naming who they are, or whether to hide their road from them, and make it so much harder for them to clear the paths later.
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Alex Gino loves glitter, ice cream, gardening, awe-ful puns, and stories that reflect the diversity and complexity of being alive. Alex’s debut, George, a middle grade novel about a transgender girl, was published by Scholastic Press in August 2015. You can find them on twitter as @lxgino.
Knights, Defenders and Double Edged Swords
by Sarah Benwell
When I was a kid, I wanted to become a knight. To take on chivalry and honour and a bravery that was bigger than I’d ever felt in real life. I wanted to protect, defend, pick up a sword and fight for something good. I wanted to be Lancelot or Gawain or a knight of Gondor or Cair Paravel. And sometimes talking and writing about diversity feels a little bit like picking up that mantle.
I’ve talked a lot lately – in schools and cons and AGMs and right across the internet – about how crucial representation is.
How perhaps, if I’d seen genderfluid narratives when I was young, I would not have felt so very, very out of place. How I might have had a concrete answer to the many-times-asked, ‘Eurgh, what is it? A boy or a girl?’ How representation might have offered weapons to fight back with, or protective armour at the least: the knowledge that there are people like me, that there are words that describe and explain me, stories where we make it through.
I’ve talked a lot about how that narrative needs to extend right out of books and demonstrate that we are real. We’re not some made up, faddy thing. Not a horror story or a tragedy. That we’re people, and we’re right here in front of you, whole and fallible and fighting.
It’s all true.
How can anyone feel good, normal, okay, wanted, valued, if they cannot find themselves? With no role models to look up to, and no language to explain themselves? No stories. When society either confronts them or denies that they exist (and sometimes does both in one breath)?
You can’t. We need representation.
Having lived in the uncomfortable space where I do not belong, I’ll fight for something better. I’ll fight for everyone who does not have a voice. Who’s silenced by their situation, or still figuring things out. You have my sword, always and forever.
Things like #TransAwarenessWeek, diversity panels, #ownvoices, the accessible megaphone of social media, and a general increase in awareness and/or willingness to learn are all such important parts of this. They offer us the space to share, to educate, to find support and recognition as and when it’s needed.
But there are things that no one tells you when you pledge allegiance. With increased visibility, increased space and opportunity to talk, come certain expectations.
This week, #TransAwarenessWeek, I’m writing 4 blog posts on diversity, speaking to school librarians, working on a story with a genderfluid character.
I’ll run a lesson where we talk about why representing people fairly matters; we’ll talk labels, and I’ll let the room see all of mine – every label society pins on me.
Next week, I’m teaching a weekend course on diverse narratives and writing.
I love every single one of these things, and I’m grateful for the opportunities. They’re exciting and important and I wouldn’t change them for the world.
But sometimes…
Sometimes I wish I could just talk about something else. That I could discuss which books I’ve read until they have fallen apart, or argue fantasy VS contemp, or tell you about my jar of readers’ tears or why pirates are the actual coolest, and post-it-notes are the greatest invention of all time.
Sometimes I wish I could go for a day and not weigh up how much to share, whether it’s safe or not.
Sometimes I wish that social media felt safer. That I didn’t have to walk the line between being heard and being far too loud. That I didn’t have to invite the trolls and questions into my life in order to have important conversations.
Sometimes I wish that I had role models. That I wasn’t trying to be one. That we didn’t have to pave the way.
This week, as well as all the awesome things, I feel super dysphoric – totally disgusted by body, uncomfortable in my own skin. This week my name and pronouns do not fit. The entire concept of me feels wrong.
This week, I’ve only had my gender questioned in the street once, but it’s once too many, and right now, I don’t have an answer to ‘what is it?’ that doesn’t make me want to cry.
This week I’ve tried to answer thoughtful, well meaning questions like, ‘How does your work contribute to trans/ nonbinary representation?’ and, ‘Why haven’t you written about people like you?’ (I’m working on it, actually, but questioning why it took me so long was uncomfortable, and the expectation that I should? Not fair.)
This week, I feel small and scared and utterly incapable of picking up a sword and being a defender.
I don’t know how to do it. I don’t know the answers. I’m not sure that I want to.
And that needs to be okay. Behind each knightly voice there is a person, and we can’t expect people to always want (or be able) to share. We should not expect them to write their life stories any more than we should demand dragons or romance or happy-ever-afters. We have no right to treat identity as a commodity.
And yet we do. The thing about having a voice is that when opportunities knock, you’re expected to use it.
You’re actually expected to talk. To be a voice for everyone who can’t. To be that role model you never had and let the world know it’s okay. To answer questions and boost signals whenever they appear.
You’re expected to know stuff – to be clued in on news and research and the latest books and characters and storylines.
You’re expected to write characters like you. To get it right. To carve that space out for yourself and others.
With knighthood, there are expectations – you answer the call of your king. And when it’s asked of you, you stand and fight. You asked for this. You pledged allegiance. It’s what you believe in. Pick up your sword, and do what’s right.
And I’m happy to. I’m really, truly glad I can.
But sometimes…
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Sarah Benwell is a perpetual student of the world, a writer and adventurer, who holds degrees in international education and writing for young people, and believes in the power of both to change the world.
Sarah’s debut young adult novel, The Last Leaves Falling, is published by Random House (UK) and Simon and Schuster (US).